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Table of contents :
Contents
FOREWORD
NOTE ON TRANSLITERATION
Introduction: Early Photography in the Near and Middle East and the Notion of an “Indigenous Lens”
Histories
The Search for an Ottoman Vernacular Photography
Photography during the Qajar Era, 1842–1925
Biographies
Geographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s–1890s
Early Photography of the Holy Sites of Islam in the Arabian Peninsula
Relocating Sevruguin: Contextualizing the Political Climate of the Iranian Photographer Antoin Sevruguin (c. 1851–1933)
Practices
The Ottoman in Ottoman Photography: Producing Identity through its Negation
Written Images: Poems On Early Iranian Portrait Studio Photography (1864–1930) and Constitutional Revolution Postcards (1905–1911)
The Gate of the Bosporus: Early Photographs of Istanbul and the Dolmabahçe Palace
The Heroic Lens: Portrait Photography of Ottoman Insurgents in the Nineteenth-Century Balkans—Types and Uses
lass Plates and Kodak Cameras: Arab Amateur Photography in the “Era of Film”
Archives
The Photography Studio of the Naseri Harem in Nineteenth-Century Iran
The Photograph Alb ums of the Royal Golesta