Baudelaire biography evenes
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Charles Baudelaire
All of the true, modern poetic colors, remember he was the first to find them.
— Marcel Proust
Charles Baudelaire (1821–1867) was born in Paris, France. Controversial during his lifetime (of his hometown he wrote: “Paris, a center radiating universal stupidity”) Baudelaire was a dandy who dug himself deeply into debt by spending recklessly on clothing, opium, and prostitutes (prostitutes from whom he likely contracted his crippling syphilis). He considered Edgar Allen Poe his “soul’s twin” and produced highly-acclaimed translations of the macabre American storyteller. His tortured relations with his mother and stepfather are considered by certain biographers to be the foundation of his erratic character (Baudelaire referred to his stepfather as “The General”). And most importantly for our—the indebted readers’—purposes, this archetypal Parisenne-poet managed to put together a body of work—both prose poetry and more traditional verse—that successfully captured (in his words) “the lyrical stirrings of the soul.”
The importance of his work in the Western world is difficult to overstate—Walter Benjamin, T.S. Eliot, Rimbaud, Mallarmé, the Symbolists, and effectively all things modern and afterward emerged at least in part from the work of this probably
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Summary of Charles Baudelaire
Baudelaire is arguably the most influential French poet of the nineteenth century and a key figure in the timeline of European art history. A denizen of Paris during the years of burgeoning modernity, his writing showed a strong inclination towards experimentation and he identified with fellow travellers in the field of contemporary painting, most notably Eugène Delacroix and Édouard Manet. A rebel of near-heroic proportions, Baudelaire gained notoriety and public condemnation for writings that dealt with taboo subjects such as sex, death, homosexuality, depression and addiction, while his personal life was blighted with familial acrimony, ill health, and financial misfortune. Despite these hinderances, he managed to leave his indelible stamp on three overlapping idioms: art criticism, poetry, and literary translation. It is in respect of the former that he can be credited with providing the philosophical connection between the ages of French Romanticism, Impressionism and the birth of what is now considered modern art.
Accomplishments
- Baudelaire saw himself as the literary equal of the contemporary artist; especially Delacroix with whom he felt a special affinity. Like Delacroix, Baudelaire was committed to testing the limits of his art in