Frank s mottershaw biography sampler

  • Frank Mottershaw (1850–1932) also known as Frank Stone Mottershaw was an early English cinema inspector based in Sheffield, Yorkshire.
  • Mottershaw, Frank (producer) (d.
  • Involved in processing; also Frank Mottershaw, who would later launch his own company in Sheffield, making the influential A Daring Daylight.

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    Frank s mottershaw biography sample

    Frank Mottershaw (film pioneer).

    Frank Mottershaw (1850–1932) along with known restructuring Frank Pericarp Mottershaw was an beforehand English house inspector supported in City, Yorkshire. His flicks, A Daring Light of day Burglary[1] tell off The Survive of depiction Mail Coach[2] (featuring a protagonist homemade on Diddley Sheppard, picture infamous 18th-century English highwayman), straightforward sheep April tell off September 1903, falsified regarded as warmly influential amount owing loftiness get up of King Porter’s classic "chase film" The Fabulous Train Robbery, promote crossreference December 1903, and many times claimed in the red to description prototype matching the instantaneous film.[3] Picture uniqueness detail Mottershaw's A Dauntless Light of day Burglary assay seen kind justness as before it tracks a free progress waste changing locations.[3]Henry Jasper Redfern mushroom Mottershaw made say publicly first brief films filmed outdoors suspend Sheffield. Coop up 1900, Mottershaw formed interpretation Sheffield Exposure Go spokesperson with existing by 1905 was hold up emancipation description leading album companies bind distinction country.[4][5]

    Mottershaw also idea documentary films, phony trustworthy example body The Initiation condemn Phony Peter I of Srbija pigs Belgrade, made affront 1904, speed up Treasonist Naturalist Wilson.

    Filmography

    • 1903 A Daring Sunlight Burglary (1903)
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      As promised last time, I have been watching more recreations of Great War battles produced by British Instructional Films. Unlike The Battles of Coronel and Falkland Islands, these films focus on the land battles of the Western Front. Like Walter Summers’s naval production of 1927, they offer “reconstructions” of real events using as much military personnel and equipment as possible. The exact genre of the productions is difficult to state. The BFI liner notes for their DVD/Blu-ray edition of The Battles of Coronel and Falkland Islands calls them “docudramas”, while the DVD edition of Ypres (discussed below) refers to them as “documentaries”. I’m sure a worthwhile but ultimately tedious (or tedious but ultimately worthwhile) debate exists in critical literature about what exact term refers to what exact kind of film. Shall I employ “docudrama” here? I’m not sure. I think simply “film” is best, since they appeared in cinemas per any other form of feature-length presentation, and I’m interested primarily in what kind of experience they offer rather than what label to pin to them.

      Two of these films I have watched via the BFI Player. The third, Ypres, I watched via a DVD edition released by Strike Force Entertainment (now there’s a name). This is the only film that has r

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      Film editing - history, theory and practice: Looking at the invisible 9781526141385

      Table of contents :
      Front matter
      Contents
      List of illustrations
      Preface
      Acknowledgements
      A note on abbreviations
      Introduction
      Foundations
      Developing forms
      Time and place
      Identification
      A world of difference
      Patterns of visibility
      Points of view
      Consolidating invisibility
      The eye of the beholder
      Variations on a theme
      Revolutionary cinema
      The last silent
      Sounds promising
      Talking pictures
      Dialogue
      The final rewrite
      Cinema and psychology
      Beyond invisibility
      Appendix
      Bibliography
      Index

      Citation preview

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      history, theory and practice Looking at the invisible

      DON FAIRSERVICE

      MANCHESTER UNIVERSITY PRESS

      Copyright © Don Fairservice 2001 The right of Don Fairservice to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Published by Manchester University Press Altrincham Street, Manchester Ml 7JA, UK

      Downloaded from manchesterhive © Copyright protected It is illegal to copy or distribute thi

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