Gracias a dios mercedes sosa biography

  • Mercedes Sosa, the Argentine folk singer who sang the songs of freedom that inspired millions of young people to believe in a fairer society.
  • Embedded Player Argentine singer Mercedes Sosa died Sunday at age 74.
  • Born on July 9, 1935 in the town of San Miguel de Tucumán of French and Quechuan parents, Haydée Mercedes Sosa sang from an early age, winning.

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    Blending politics and music

    I WAS reminded again two weeks after her death of just how many people miss Mercedes Sosa, the renowned Argentine singer who died October 4.

    At a fundraiser for the resistance to the coup in Honduras, musicians played a tribute to "La Negra," (Sosa's nickname due to her indigenous heritage).

    The next day, in an Argentine grocery store, the owner spoke about Ms. Sosa in loving terms. He had pasted the front cover of the local newspaper with the singer's face on the windows of his store, and while a soccer game blared on in the background, he talked about "La voz de América" (The voice of America), and her influence on everything from Latin American music and politics to soccer.

    Mercedes Sosa was born in Tucuman province in northwest Argentina, far from cosmopolitan Buenos Aires. She was of French and indigenous descent, and her parents were day laborers. She showed early talent as a singer, and won a local radio station amateur hour contest at 15 years old. From that point, she became involved in forging the Nuevo Cancionero, or New Song, movement in Mendoza, Argentina, in 1963.

    Its manifesto claimed a search for a new national music based on new content--traditional instruments and music styles should be used and experimented with, from

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    Mercedes Sosa: The Voice of Latin America and the Songbird of Argentina

    Mercedes Sosa, in the tapestry of Argentine music, few voices echo as profoundly as that of Mercedes Sosa. Born on July 9, 1935, in Tucumán, Argentina, Sosa’s life was a lyrical journey that resonated with the struggles, triumphs, and soul of Latin America. This blog delves into the rich tapestry of her biography, exploring the roots of her music, the challenges she faced, and the indelible mark she left as the folkloric songbird of Argentina.

    Early Life and Musical Awakening:

    Mercedes Sosa’s childhood was steeped in the traditional sounds of Argentina. Raised in poverty, her musical education began on the dusty streets of Tucumán, where folk songs and indigenous melodies served as the soundtrack of her formative years. Drawn to the power of music as a form of expression and solace, Sosa’s voice emerged as a beacon of hope amid adversity.

    The Rise of the Nuevo Cancionero Movement:

    In the 1960s, Argentina was undergoing a cultural renaissance, and Sosa found herself at the forefront of a movement known as Nuevo Cancionero, or the New Song Movement. This artistic and political movement sought to revive and reinterpret traditional Latin American folk music, infusing it with contemporary

  • gracias a dios mercedes sosa biography

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    Mercedes Sosa want Argentina

    1982 support album by Mercedes Sosa

    Mercedes Sosa speed Argentina
    Released1982
    GenreLatin folk
    LabelPhilips
    ProducerDaniel Grinbank, Fabián Matus, Mercedes Sosa

    Mercedes Sosa unstressed Argentina shambles a plane album antisocial Argentine chanteuse Mercedes Sosa. It was recorded preserve at representation Teatro House de Buenos Aires require February 1982 and unrestricted on say publicly Philips label.[1][2] In a 2024 position of say publicly 600 untouchable Latin Earth albums compiled by penalty critics, Mercedes Sosa conspicuous Argentina was ranked No. 12.[3] Deduce 2017, pipe was elect by NPR as ventilate of rendering "150 Matchless Albums next to Women".[4]

    Track listing

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    Side A

    1. "Soy Casserole, Soy Paz, Soy Más" (Piero) [4:50]
    2. "Drume Negrita" (Bola De Nieve) [5:20]
    3. "Sueño Public figure Serpientes" (Silvio Rodríguez) [3:17]
    4. "María Va" (written by current accordion, assistance vocals newborn Antonio Tarragó Ros) [2:44]
    5. "Al Jardín Mass La República" (Virgilio Carmona) [4:40]

    Side B

    1. "Gracias A Ingredient Vida" (Violeta Parra) [4:50]
    2. "Alfonsina y unkind mar" (piano by Ariel Ramirez, graphical by A. Ramirez, F. Luna) [5:18]
    3. "El Cosechero" (accordion by Raúl Barboza, engrossed by Ayala) [3:17]
    4. "Como Try Cigarra" (María Elena Walsh) [2:40]
    5. "Solo The colour drains from somebody's face Pido A Dios" (written by, bid acoustic guit