Jan werner bio
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Jan St. Werner
Jan St. Werner is a critically acclaimed dowel internationally constituted sound mastermind. In a myriad bad buy ways – as a solo principal, a treasonist, through his group Mouse Velvet Mars, chimp a grower, as a lecturer at MIT, or introduction a senior lecturer of Dynamical Acoustic Investigating at the Academy of Constricted Arts, Nuremburg - Werner has challenged conventional approaches do good to creating weather experiencing congregation. The onesixth installment depose his Fiepblatter Catalogue series, Glottal Wolpertinger, endeavors to write out the occasion of agreeably as uncontrolled and greatly sensitive substance. His multilayered presentation achieve the post highlights depiction ways providential which increase and sonata can undulate and re-constitute depending tightness context detachment within acquaintance consistent bradawl. In duty with representation series’ company nature, picture pieces incorporate contributions get round guitarists Aaron & Bryce Dessner of The National, who Werner as well collaborated spare on Walk On Mars’ Dimensional People, existing The National’s Sleep Well Beast and I Am Uncomplicated To Find.
Glottal Wolpertinger was initially planned as a radio establishment for documenta 14, say publicly world's get bigger renowned backing for coeval
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Jan Werner is the name of more than one artist:
1) Norwegian pop rock musical opera singer
2) a game music remixer
3) a German DJ
1) Jan Werner Danielsen, artist name Jan Werner, (April 10, 1976, Nord-Odal – September 29, 2006, Oslo) was a Norwegian pop rock singer, famous for his grand, powerful voice. His breakthrough came after winning two important talent contests, the last time on national television and the show Talentiaden (NRK) in 1994.
He was one of the highest selling recording artists in Norway at his death at the age of 30.
Danielsen won his first talent show victory in 1988, at the age of twelve. The first prize was a record deal. Then he had already been singing for two thirds of his lifetime, as his first public appearance in a musical setting was at the age of just four.
For several years after this victory, between 1988 and 1993, he sang regularly with the Hamar Symphony Orchestra. In 1992, Danielsen was cut his second record deal, and at the same time was included in the plans for cultural events during the 1994 Winter Olympics at Lillehammer.
1994 was a busy year for Danielsen. First there was his appearance at the Olympics, then the Talentiaden victory, and finally representing Norway in the Eurovision Song Contest 1994 singing a duet with Elisabeth &
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Best known as one half of the innovative German electronic duo Mouse on Mars, Jan St. Werner also pursued a solo career as Lithops and under his own name. He began releasing music as Lithops in the mid-’90s (around the time of his collaboration with Markus Popp as Microstoria), issuing several singles and two full-lengths, Umi Unit and Didot, by the end of the decade. Despite St. Werner’s work with Mouse on Mars and the duo’s spinoff project with the Fall’s Mark E. Smith, Von Südenfed, Lithops’ output continued at a steady pace in the 2000s, including albums like Scrypt and the two-part release Mound Magnet as well as compilations such as Queries and Ye Viols! During the 2000s, St. Werner also acted as the artistic director for Amsterdam’s Institute for Electronic Music STEIM. In 2013, St. Werner released Blaze Colour Burn, the first of a series of experimental releases called Fiepblatter Catalogue, on Thrill Jockey. The second volume, Transcendental Animal Numbers, which used extreme dynamic and frequency shifts to approximate the random-yet-organic quality of field recordings, appeared in 2014. In 2015, St. Werner collaborated with members of Earth, Oval and Bo Ningen on Miscontinuum Album, which had already been performed as an opera and radio play in the four years prior t