Rishikesh mukherjee biography of william

  • Born on 30 September 1922, in pre-Independence Kolkata, Hrishi Da pursued the path of an ordinary middle class Indian; studying science.
  • The much-loved director of Satyakam, Anand, Chupke Chupke, Bawarchi and Gol Maal was a father-figure to a retinue of stars of the 1970s.
  • The World of Hrishikesh Mukherjee looks at the life of the filmmaker through a series of vignettes that explore various themes running across his oeuvre.

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    Remembering Hrishikesh Mukherjee on his birth anniversary: The gentle and professorial auteur of warm-hearted comedies

    The auteur of warm-hearted comedies was just as gentle and professorial as the films he made.

    Mild-mannered, avuncular, master of simplicity, king of gentle humour, middle-of-the-road filmmaker, auteur and schoolteacher-like are some of the titles that have, over the years, been bestowed upon Hrishikesh Mukherjee, or Hrishi-da as he was fondly nicknamed within the Hindi film industry. Amitabh Bachchan, the sad-eyed Babumoshai of Anand (1971) called Hrishi-da, who died on August 27, 2006, “godfather to us.” But it was Jaya Bachchan – she stayed with the late filmmaker when she first came to Bombay and was so close to him that he was among the first people to know about her impending marriage to Bachchan – who may have hit it closer to home when she said, “Hrishi-da was like a father.” And so he was, and that’s how he behaved, with unquestioned authority of a benign but disciplinarian father, on the sets of his films. Not only to Jaya Bhaduri, but also to Amitabh Bachchan, Dharmendra, Deven Verma, Amol Palekar, and even that self-indulgent superbrat whom we know as Rajesh Khanna. Unfussily, the superstar was “Pintu Baba” to Hrishi-da.

    The appeal of a Hrishi-da

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    The Hrishikesh Mukherjee unqualified (and a photo exaggerate the Satyakam shoot)

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  • rishikesh mukherjee biography of william

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    Tribute to Hrishikesh Mukherjee on birth Centenary

    Late Hrishikesh Mukherjee more popularly known as ‘Hrishi Da’ just celebrated his birth centenary last month. Hrishi Da ranks amongst India’s most progressive and innovative film makers, exhibiting mastery in craft of making socially relevant themes. Mukherjee knitted plots together with great visualisation, and sensitivity, be it in comedy, pathos, anger or romance, weaving every ingredient in proper proportion. Melodrama was restrained and scripts dissected with surgical skill. Without over romanticisation, Mukherjee would do complete justice to the role of the character. He did not champion art films, but gave commercial films an artistic touch.

    Rarely have artists transcended  the medium of cinema to project the real essence of their cultural values so or  film directors who narrate  a simple tale of regular families that have characters of unique shades, characters which are bound to touch human emotions universally. His characters frequently underwent life-changing journeys of their own, raising questions that make you indulge in a bit of soul-searching. Hrishi da knew how to convey the simplest of stories in the most absorbing manner. Most artistically both continuity and rupture were blended in his work..

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