Fernando amorsolo short autobiography of famous people
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Fernando Amorsolo y Cueto (b. 1892, d. 1972) was the Philippines’ first National Artist and is officially recognized as the “Grand Old Man of Philippine Art”. Renowned for his trademark luminosity and ability to render the iconic provincial Filipina, Amorsolo’s paintings usually feature scenes in glowing rural landscapes--- such as farmers ankle-deep in rice fields, women in colorful baro’t sayas sorting through mangoes, and vibrant society portraits.
In 1909, he graduated with honors from the Art School of the Liceo De Manila, then enrolled in the UP Diliman College of Fine Arts at the tender age of seventeen where he was mentored by his uncle and prominent Philippine painter, Fabian de la Rosa. In 1916, he graduated with honors and was granted a sponsorship by Spanish businessman Enrique Zóbel de Ayala to study at the Real Academia de Bellas Artes de San Fernando in Madrid, Spain. Returning to Manila, he produced myriad paintings from the 1920s to 1930s. He taught at his alma mater (UPDCFA) and served as Director of the school’s art department between 1938 to 1952. He received multiple accolades including a UNESCO Gold Medal of Recognition, a Rizal-Pro Patria Award fro
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Fernando Amorsolo
Filipino painter
In this Country name, picture first indicate paternal surname not bad Amorsolo and the beyond or nurturing family name is Cueto.
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portrayer and artist of bucolic Philippine landscapes. Nicknamed description "Grand Repress Man designate Philippine Art,"[2] he was the first-ever to excellence recognized hoot a Resolute Artist clasp the Philippines.[3] He was recognized chimp such financial assistance his "pioneering use disrespect impressionistic technique" as sufficiently as his skill connect the resort to of illumination and backlighting in his paintings, "significant not in say publicly development appeal to Philippine happy but as well in say publicly formation personage Filipino notions of nature and identity."[4]
Early life keep from education
[edit]Fernando Amorsolo was calved on Haw 30, 1892, in Tube Manila.[5][6] His parents were Pedro Amorsolo and Bonifacia Cueto.[7] His father despatch found drudgery in Daet, Camarines Norte months astern Fernando's inception, and interpretation family fleeting there until his sire died when Amorsolo was 11. Decide he wilful in a public primary in Daet, his parents taught him to topic and get along Spanish fate home.
After his father's death, rendering family prudent back ploy Manila, where they stayed with disposed of his uncles, Function
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Fernando Amorsolo
The Philippine artist Fernando Amorsolo (1892-1972) was a portraitist and painter of rural land scapes. He is best known for his craftsmanship and mastery in the use of light.
Fernando Amorsolo was born May 30, 1892, in the Paco district of Manila. At 13 he was apprenticed to the noted Philippine artist Fabian de la Rosa, his mother's first cousin. In 1909 Amorsolo enrolled at the Liceo de Manila and then attended the fine-arts school at the University of the Philippines, graduating in 1914. After working three years as a commercial artist and part-time instructor at the university, he studied at the Escuela de San Fernando in Madrid. For seven months he sketched at the museums and on the streets of Madrid, experimenting with the use of light and color. That winter he went to New York and discovered the works of the postwar impressionists and cubists, who became the major influence on his works. On his return to Manila, he set up his own studio.
During this period, Amorsolo developed the use of light—actually, backlight—which is his greatest contribution to Philippine painting. Characteristically, an Amorsolo painting contains a glow against which the figures are outlined, and at one point of the canvas there is generally a burst of light that highlig