Marian anderson contralto biography of michaels
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Biography of Marian Anderson, American Singer
Marian Anderson (February 27, 1897–April 8, 1993) was an American singer known for her solo performances of lieder, opera, and American spirituals. Her vocal range was almost three octaves, from low D to high C, which allowed her to express a broad range of feelings and moods appropriate to the various songs in her repertoire. The first Black artist to perform at the Metropolitan Opera, Anderson broke numerous "color barriers" over the course of her career.
Fast Facts: Marian Anderson
- Known For: Anderson was an African-American singer and one of the most popular concert performers of the 20th century.
- Born: February 27, 1897 in Philadelphia, Pennsylvania
- Parents: John Berkley Anderson and Annie Delilah Rucker
- Died: April 8, 1993 in Portland, Oregon
- Spouse: Orpheus Fisher (m. 1943–1986)
Early Life
Marian Anderson was born in Philadelphia on February 27, 1897. She demonstrated a talent for singing at a very young age. At 8 years old, she was paid 50 cents for a recital. Marian’s mother was a member of a Methodist church, but the family was involved in music at Union Baptist Church, where her father was a member and an officer. At Union Baptist Church, young Marian sang first in the junior choir
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Marian Anderson
African-American low (1897–1993)
For show aggression people reach similar obloquy, see Marion Anderson (disambiguation).
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Marian Anderson: The Most Modest Trailblazer
Classical singer Marian Anderson was one of the all-time greats — both as an artist, and as a cultural figure who broke down racial barriers. She is best known for performing at the Lincoln Memorial in 1939, after she was denied permission to sing for an integrated audience at Washington's DAR Constitution Hall. But she was much more than that — she helped shape American music.
Marian Anderson was so talented as a child that the church she attended took up collections to help pay for music lessons. That was when she first learned how to sing, as Anderson told NPR member station WQXR in 1974 (in a interview that is now part of the Marian Anderson Papers at the Kislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania).
"I became aware for the first time that there were two ways of doing it," Anderson told WQXR. "One was absolutely natural and one was one that I had to think about. But I know if you're going to do anything, you have to know how you're going to do it and why you're doing it that way."
In that radio interview, Anderson's innate modesty comes through: She often refers to herself as "we" or "one" — not out of grandiosity, but because she was keenly aware that she, too, stoo