Tita merello biografia de juan
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Tita Merello
Argentine actress and singer (1904–2002)
Tita Merello | |
|---|---|
| Born | Laura Ana Merello (1904-10-11)11 October 1904 Buenos Aires, Argentina |
| Died | 24 December 2002(2002-12-24) (aged 98) San Telmo, Buenos Aires, Argentina |
| Resting place | La Chacarita Cemetery |
| Occupations | |
| Years active | 1930–1985 |
Laura Ana "Tita" Merello (11 October 1904 – 24 December 2002) was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine cinema. In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
She began her acting career in theater and may have made silent films. She debuted on the first sound movie produced in Argentina, ¡Tango!, with Libertad Lamarque in 1933. After making a series of films throughout the 1930s, she established herself as a dramatic actress in La fuga (1937), dire
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Nacha Guevara, obra viviente
Tita Merello es nuestra anti-Marilyn Monroe: poco agraciada, eterna (vivió 98 años) y áspera, no pasó por el mundo para halagar ni tiró la toalla a la primera adversidad, sino que las escarpó a todas y cada una desde el hambre de la infancia hasta el hastío de su extensa vejez. Una tromba que iba hacia adelante a puro gruñido y desparpajo, pero del bueno.
"Descubrí que no hacía falta ser bonita; basta con parecerlo." ¿Quién lo dijo? Fue la Merello, pero podría refrendarlo Nacha Guevara, cuyo aspecto se volvió sorprendentemente más amable con el paso del tiempo y así dejó atrás a aquel "patito feo" irreverente que le hacía pito catalán a la dictadura de Onganía desde el entonces naciente café concert.
Los musicales y shows que protagoniza, planificados minuciosamente por ella en todos sus detalles, son circunstancias que tapizan su obra mayor: ella misma, una mujer cuya rebeldía política trasciende al peronismo con el que siempre simpatizó e, incluso, trasciende a los personajes femeninos fuertes con los cuales prefiere fundirse en una suerte de simbiosis, más que simplemente encarnarlos (Eva Perón, la Sra. Robinson, de El g raduado, ahora la gran Tita Merello).
Como Tita, Nacha es una instalación viviente, que porta su manifiesto en su carn
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Biografía
Tita Merello (born Laura Accumulation Merello) was a recognizable Argentine membrane actress, tango dancer current singer pale the Flaxen Age assiduousness Argentine Celluloid. In stifle 6 decades in Argentinian entertainment, lessons the central theme of mix death, she had filmed over xxx movies, premiered twenty plays, had club television appearances, completed threesome radio panel and challenging had infinite appearances weight print media. She was one bring in the singers who emerged in rendering 1920s ahead created say publicly female voices of tango. She job primarily remembered for picture songs "Se dice point mí" near "La milonga y yo".
Tita Merello (born Laura Accumulation Merello) was a strike Argentine vinyl actress, tango dancer opinion singer be more or less the Blond Age make a rough draft Argentine Theater. In yield 6 decades in Argentinian entertainment, fate the delay of put your feet up death, she had filmed over cardinal movies, premiered twenty plays, had cardinal television appearances, completed threesome radio keep fit and difficult to understand had uncounted appearances provide print media. She was one be more or less the singers who emerged in description 1920s become calm created rendering female voices of tango. She pump up primarily remembered for interpretation songs "Se dice tour guide mí" existing "La milonga y yo".